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Willy Rosen "Der Text und die Musik ist von mir!" "Ich heiße Willy, nicht Wilhelm!"

Willy Rosen - Schlager Songs and Sadness

Willy Rosen his history, life and work. 

Kleinkunst performers in Weimar and Nazi Germany. Schwule Musik and stars.  

Willy Rosen 1894 - 1944

Willy Rosen a Missing Star

Willy Rosen, cartoon by Paul Simmel

Site last updated:05.11. 2018 

Connected to Youtube Channel 

Why a site devoted to Willy Rosen the Jewish Composer, murdered in Auschwitz and  others persecuted by the Nazis?  Every time someone accesses this site or plays a song by Willy Rosen and others, it ensures that they are not forgotten. The aim of Nazi ideology has failed and will continue to fail. These stars will still shine. 

Willy Rosen was born in Magdeburg on 18th July 1894 to  Arthur and Amalie Mally Rosenbaum. He had one older sister called Lucie born the year before and one younger sister. (Sources such as Geni also inlude an un-named child - possibly dying at or shortly after birth.)


Willy attended "das König-Wilhelm-Gymnasium" in Magdeburg. He was then sent by his father as an apprentice at  Konfektionsfirma Kleider in Berlin (Karin Ploog - Als die Noten laufen lernten..., Geschichte und Geschichten der U-Musik bis 1945 - Erster Teil ). He completed his apprenticeship successfully. Willy continued to develop his interest in Music. Willy was drafted into the army in 1915 and served in WW1 on the Russian Front. He published his first piece of music in 1915, ( Ich möchte so gern Soldaten haben). Like many others  he was wounded. Whilst convalescing he played piano and gave performances to other troops. After the war Willy Rosen returned to Berlin  and to his old job. According to the Berlin address and phone books, in 1919 he lived at Pankstrasse 39  Apartment 4 as a "Schurzen".  By 1929, the Berlin Adressbuch showed he had moved, as does The Jewish Addressbook for 1931, to Cicero Strasse 55, in Hallensee. The 1932 publication lists Rosen as  a Komponist, rather than working in the clothing industry. This was his Berlin address right up to 1939.


In the evenings he played piano at various bars and clubs, such as Die Spinne and Die Rakete. Rosen founded the Rosen Kapelle a small band. In 1924 he was involved in the founding of  "Kabarett der Komiker" by  Paul Morgan, Kurt Robitschek and Max Hansen. The first production was "Quo Vadis" for which Rosen wrote the music. It was a new style and parodied not only the film but also Hitler's Putsch. It ran for over 300 performances. It received rave reviews from Hermann Neisse but did not endear Rosen to the Nazis.  He wrote music for others such as Harry Woldau, Max Hansen, Curt Bois and Paul O'Montis. Will Meisel published some of his music. He rose to be a well renowned Cabaret Star and composer of Schlager. A whirlwind of appearances ensued, but he still found time to put on concerts for children. In 1923 he had  married Elsbeth Hoffmann. (They were divorced in 1940, she agreed under duress from the Gestapo.) 


In 1927, he appeared at the invitation of Magdeburg Burgermeister,  Hermann Beims with great success, on the occasion of the German Theater Exhibition in his hometown. He won the  Goldene Geige im Deutschen Schlagerwettbewerb, twice.


On 15th September 1931 he officially adopted his stage name "Rosen". He had always been Willy, never Wilhelm. His middle name was Julius but hardly ever used. Some sites and publications use Wilhelm or William but it clearly sates on the birth register -"Willy".

Rosen collaborated with many other lyricists and composers. He completed over 600 compositions and made 75 personal recordings. He appeared in 7 "Spielfilms" and was involved in a total of 21 films, writing words or music, between 1926 and 1934. His music was sung and played by many famous artists of the 1920's and 1930's.


Today he is virtually unknown even though his songs are still sung, by the likes of  Max Raabe, Henry de Winter & The Bratislava Hot Serenaders and Schmattes Schlager & Schongsongs, Semer Ensemble, The Grammophonics  The Ballaststoff Orchester and even Haudegen or were parodied by  Günter Neumann. Some of his compositions are performed without attribution to him or wrongly attributed to others by modern media to, such as, Max Ehrlich. Willy was forced to disappear from German culture step by step after 1933. Rosen went to Holland with a little group of Prominenten but opposition from Dutch Music Unions forced them away. Rosen was still recording clandestinely, in Synagogue cellars, in 1935 for Lukraphon. Recording studios such as Odeon,  had forsaken him. He was able to perform in the Jewish Theatre or Kulturbund but nowhere else in Germany.  


He left Germany, visiting various countries including Austria and  Switzerland. He applied for residency in Switzerland but it was refused, as was Joseph Schmidt. Willy eventually found refuge in Holland.  Rosen  put on Revues in Scheveningen, a seaside town in Holland. Producing these and writing the songs . He was later joined by Max Ehrlich who had stayed on in Berlin. Ehrlich had invited Willy back to Berlin, on several occasions to perform in Ehrlich's revues. Shows in Holland  starred the "Prominenten", Jewish performers from Germany and Holland, such as Siegfried Arno, Oskar Karlweis and Camilla Spira, in 50 Revues from 1936 to 1941. There is photographic evidence recording the visit of Max Schmeling's visit to the Prominenten. He knew Willy and the other Prominenten through his wife Anny Ondra. Schmeling had also appeared in films himself.


The Revues came to an end in May 1942, a little over a year after the Nazis invaded Holland and Jews were then interned in Westerbork a Nazi transit later concentration camp. Willy married Olga Krauskopf in 1942. Until September 1944 Willy along with Ziegler and Ehrlich and a multitiude of artisitic talent put on the "Best Cabaret in Europe". The then Kamp Kommandant, encouraged these performances, allowing props and costumes to be sourced. Etty Hillesum records in her diary, that Willy Rosen had to perform his songs for the Kommandant to approve. ("He sang his heart out." for Gemmeker, as his name had been put on the list for transportation. )  Nazi officials including Adolf Eichmann would visit and sit on the front row, with the audience that was due to be "sent east" the following day, sitting behind.


Willy Rosen was not popular with everyone at the Westerbork Camp. Some objected to his privileged position and his recruitment of German Jews for the Revues. (By order of the Kommandant, the shows were to be performed in German. The first shows had even included German Staff. Gemmeker lived in a world apart.) Etty Hillesum wrote to Han Wegerif  in 1943 - "There is more and more movement now along the asphalt path beside the train. Men from the “Flying Column”  in brown overalls are bringing the luggage up on wheelbarrows. Among them I spot two of the commandant’s court jesters: the comedian Max Ehrlich, and the songwriter Willy Rosen, who looks like death warmed up. And over there is another court jester: Erich Ziegler, the commandant’s favorite pianist. Legend has it that he is so accomplished that he can play Beethoven’s Ninth as a jazz number, which is certainly saying something ..." There was resentment that Revue Performers were often exempt from transport, but this was not always true. Many performers went east and disappeared from the Programmes. Rosen had been on the list once, singing to convince Gemmeker to take him off the list. Sadly this meant that someone else went in his stead. It is true that Rosen and Ehrlich were amongst the last to be transported. Ziegler was one of the very few from "The Buhne", not to have been sent east. When lists were read out for transport, those selected cried. Those not selected sang and danced. A few volunteered instead of others. The camp doctor, managed to persuade  a family to be "spared", only to find that his name was included in their stead.


Over 40 Revues, were performed from 1942 to 1944 when the day came that Willy and wife Olga Maria were transported to Terezin (Theresienstadt) on the 4th September 1944*** as numbers 576 and 577 on Transport xxiv/7, with Max Ehrlich and many others, including Johnny and Jones. The Commandant Gemmeker, came to see the train off, as he usually did, waving them "adieu", maintaining he never knew what lay ahead for them. Gemmeker had given Rosen a note for the Kommandant at Terezin, promising better rooms  for the troop. 10 days later the transports ended, even though the camp was not liberated until 12th April 1945.


The train meandered through Nazi occupied Europe, passing through Magdeburg, arriving at Theresienstadt on the 6th September. After a brief "stop over" at Terezin, Willy and Olga were separated and he went on to Auschwitz Birkenau in Nazi occupied Poland on Transport El on 29th September 1944, with Max Ehrlich, Leo Kok and Johnny and Jones. They arrived at Ramp 3, inside Auschwitz Birkenau, in plain view of all the other prisoners. He was gassed with Zyklon B, on 30th September  1944, immediately after arrival with Max Ehrlich. Yad Vashem records that the train reached its destination on the 30th September. Others quote October 1st as the murder date. Olga followed him to Auschwitz on Transport En as number 87, dying in Auschwitz on 15th March 1945, just less than two weeks before it was liberated.


Rosen, a missing star, amongst a galaxy, because he was Jewish. His music was  banned outright or played as folk songs with source unknown or even attributed to others. Yet Willy Rosen had songs published by friends, under their names to belie Goebell's' claim that  "German Kultur" was Aryan.

A street is named after Willy Rosen in Magdeburg. But there is little else to commemorate Willy Rosen,  in a city that watched as his mother was deported on 2nd December 1942 to her death in Theresienstadt, on 21st March 1943, with 69 other people, only one of which would survive to the end of the war. There is little to commemorate Willy Rosen in Berlin, his adopted city. He is remembered better in Holland. The University of Hamburg has some research on Rosen and lists most of his compositions. Although married twice there were not any children. Perhaps a blessing for they would have suffered the same fate as Willy? His sister Lucie had emigrated to South America, settling in Sao Paulo, having married Rudolf Herzberg (Geni).  Their daughter, Hannelore married Kurt Albert Bernstein, in 1943. Family descendants are still alive. As of yet, nothing is known of his younger sister, yet she did escape the horrors.


Why did Willy Rosen not escape? His sisters did!  Funds had been raised by Kurt Robitschek in the USA. Visas for Cuba were finalised but, like many others, he left it too late. The unthinkable happened, Germany had invaded Holland and when the USA entered the war Visas for Cuba were cancelled.


Many at the camp objected to the favoured position that Rosen and the others held in the eyes of Gemmeker. He deferred their transport east until just about last, as th Allies had landed in France and  were approaching. Others he sent without a thought. Upset Gemmeker or his Secretary and an inmate could find themsleves on the next train going East, for no reason other than you didn't doff your hat quick enough or your son, broke a window. 50 extra because a little boy tried to hide. He had 120 sick patients carried from the hospital and put on the trains, 23rd January 1943 and February 8th 1944. He sent 48 women classed as suitable for medical experiments on 24th August 1943. Gemmeker even sent trains off without food for the journey and a baby that was born that morning went on November 6th 1942. He even sent babies without food, 29th January 1943, with 2 British citizens, whose papers he refused to accept. On 23rd October 1943, rations for 1,500 people were drawn for 14days, yet the prisoners got a piece of bread. Konrad Albert Gemmeker the Gentleman Kommandant was responsible for sending 77 transports east, which carried 79,800 men women, children and babies to the east. Of those, Gemmeker is responsible for the deaths of 77,716 men, women, children and babies and untold suffering.


 Everyone including Etty Hillesum worked. If you worked and were useful, your day for transportation was delayed, until you were no longer needed. The Theater Group were important to Gemmeker. More so than many others. No doubt Rosen and Ehrlich played this to the full, walking a knife edge for two years, trying to avoid upsetting Gemmeker which would lead to the deportation, that was sure to follow if they did. By 1944 everyone knew what was happening, even Gemmeker, who claimed he never knew. Each train would have a guard, under the command of a Leutnant. Many of these officers made this trip ona regular basis, from Westerbork all the way through to Auschwitz, where they saw what was happening. In waiting for the train to depart, Gemmeker never had a conversation with any of these officers, to ask, what happened at the other end of the line? All across Europe people were "going East" but never retaining contact with friends or family. Ordinary Wehrmacht soldiers knew and were involved. If Gemmeker were alive to day and claimed ignorance, he would be derided with disbelief. Gemmeker played the gentleman, but with what is known today, that behaviour would not have saved him from greater retribution. He complained that cattle trucks were used for transportation, asking for carriages so that it would be easier to persuade the deportees to board. When told "there was a war on", he had seats fitted to the trucks. Hetty Hillesum saw through his charade. Every inmate used whatever they had to avoid transportation. Rosen and the others, used talents that others didn't have, to satisfy one man's desire to have his own personal cabaret, his own little Jewish Auschwitz destined Cabaret.


*** September 4th was the day after Anne Frank had been sent to Auschwitz.


The word Auschwitz, on this site refers to the Nazi built and run Concentration camp in Nazi occupied Poland.  An estimated 1.3 million people were sent to the camp, of whom at least 1.1 million died. Around 90 percent of those were Jews; approximately one in six Jews killed in the Holocaust died at the camp.  Others deported to Auschwitz included 150,000 Poles, 23,000 Romani and Sinti, 15,000 Soviet prisoners of war, 400 Jehovah's Witnesses, and tens of thousands of others of diverse nationalities, including an unknown number of homosexuals. Many of those not killed in the gas chambers died of starvation, forced labour, infectious diseases, individual executions, and medical experiments.


A few of Rosen's songs today are deemed, by some to be  politically incorrect. Use of such material is historical and I make no apology for its use.


Immediate Family

Father - Arthur Rosenbaum 1863-1939

Mother - Amalie Mally Rosenbaum (Maerker) 24.11.1872.  Deported 02.12.1942 on Transport XX/3  Number 157 Died 21.03.43 at Terezin

Sister - Lucie Herzberg (Rosenbaum) 15.07.1893. Emigrated to Sao Paulo, Brazil  1939 Married to Rudolf Herzberg 1920

Willy Julius Rosen (Rosenbaum) 18.07.1894. to 30.09.1944 Murdered Auschwitz

Wife - Elsbeth Hoffmann 1893 (Married to Willy 1923-1940)

Wife - Olga Maria Krauskopf 1895 - 1945 (Married to Willy 1942 - 1944) Murdered Auschwitz 15.03.1945)

Sibling - Unnamed child: c 14.09.1895

Sister - Edith Henriette (Maerker) 1896 - ????

Niece - Hannelore Herzberg Daughter of Lucie  Born 1924 Married Kurt Albert Bernstein 1943 (one child?)



Site will grow as more material is released

Holocaust

Musical Collaborations

Willy Rosen at the Piano in Westerbork Camp

Aeschlimann Hans     Alfonso Beltran

Amberg Charles           Arcany

Badt Rudolf        Balz Bruno

Becce Giuseppe      Bertuch Max

Bibo  Günter      Bloch Theodor

Bludau    Blum H

Borchert Walter  Bransen Walther

Lew-Brown     Buchholz K 

Conrad    Cowler Jim   

Czegledy Arpad     de Sylva B G 

de Wijze Louis    Dimde Charles W

Doelle Franz      Dostal Nico   

Dransmann Hansheinrich

Ebeler Otto     Egen Austin

Einegg Erich

Etlinger      Evans O A

Felice S Julia      Feline Jean

Ferdl Weiss     Forster Gerhard

Freudenberg Menne    Frey Hermann

Fries       Fröhlich Herbert

Gabriel Herbert      Galdieri

Geisler Willy       German Fritz

Gilbert Jean     Gilbert Robert   

Ginzel Fritz      Glaser Erich Franz

Glaser Hans     Groß  Wilhelm   

Fritz Grünbaum     Guttman Artur   

Haller Hans Heinz     Hansen Max   

Hauch Michael     Henderson Ray   

Hennig H F 

Heye Max       Hoffman Horst   

Hofmann Gerhard     Jaeger   

Jary Michael      Jerome   

Joachim Fritz       Johnny and Jones

Kannewasser Max 

Kaper Bronislaw     Kauler Herbert 

Kerdy Dick       Klabunde Alfred 

Klupsch Siegfried      Koch Ekehard 

Kummer        Lange Arthur 

Lengsfelder Hans   Lengsfelder Joachim 

Lenz Leo         Leopoldi Hermann 

Lewin Heinz     Lewinnek Kurt 

Lindemann Fred & Otto    Lion Marcel 

Loebel Richard Rillo      Lübbe Kurt 

Malbran Werner      Margulies Siegbert 

Marks Martelli 

Meisel Edmund       Meisel Will 

Melborn Fritz Mueller    Menhert Mattias 

Menne Mieke      Mercier Rene 

Moretti Raou       Morgan Paul 

Muller Arvid     Neff Eugen 

Nelson Herbert      Nelson Rudolf 

Neubach Ernst       Nikolas Paul 

Ohlischlaeger Geno     Petersen Arvid 

Pickart Johann   Pordes-Milo Alexander 

Porges Rene    Prager Willy 

Ralph Fred     Raszat Horst 

Rauch Franz      Raven Carol 

Raymond Fred      Rebner Arthur 

Reisfeld Bert      Reiter Fritz 

Rey Louis Rido 

Robitschek Kurt      Roellinghoff Charlie 

Rollins Will      Roonthal Rudi 

Rose Billy 

Rotter Fritz      Sachs Lothar 

Salter Hans J     Schaeffers Peter 

Schall Leo    Schaub Werner B 

Schmidt-Gettner Willy   Schneider Hans 

Schnog Karl     Schwabach Kurt 

Schwarz Friedrich     Schwenn Gunther 

Senger Harry    Sigmund Alexander 

Sissermann Mischa? 

Sommer-Kummer Hans 

Sonnefeld Wim    Stolzenwald Franz Arr

von Platen Hartwig      Waens Harry

Walter Fried      Walther Carl

Warren     Weinberg Mortimer 

Weiß Stephan    Weiss Willy 

Wenneis Fritz     Wieth 

Winkler Gerhard   Winterfeld Edi 

Willi Wolff     Ziegler Erich 

Personal Recordings and Appearances in Film

Publicity Photgraph of Willy Rosen

  

Aafa-Kunterbunt II

Charleston

Das find ich reizend von Lulu

Das ist Berlin auf der Tauentzien

Dein Mund sagt Nein, doch deine Augen sagen Ja

Der Filmstar

Die sparsame Brigitte

Die teure Frau

Die zärtlichen Verwandten

Dort in Hawai

Du kannst ruhig "Du" zu mir sagen”

Du siehst ja aus wie ein Mann, mein Schatz

Ehe in not

Ein neues Hütchen

Eine schöne weisse Chrysantheme

Erst trinken wir noch eins

Es geht mir täglich besser

Finden Sie, daß Konstanze sich richtig verhält? 

Frau Abendstern  

Frau Levy mensendiekt

Frau Maier tanzt Tango  

Fräulein Lo

Fräulein Ping-Pong

Fridolin, ach Fridolin

Gott ist die Eva süss

Hausfrauenparade I und II

Husaren Heraus (Das Liebesregiment)

Ich fahre heute Nacht zu meiner Gnäd'gen

Ich hab' dich heut mit einem fremden Mann geseh'n

Ich hab eine eigene kleine Wohnung 

Ich hab für Sie ne heimliche Schwäche

Ich kann nicht "Nein" sagen 

Ich sitz dem ganzem Tag am meinem Radio

Im Gasthof zur goldenen Schnecke

In Halensee nicht weit von Lunapark

In Omsk, in Tomsk, in Astrachan

Ja die Berliner Mädchen

Je länger ich dich ansehe, je lieber hab ich dich

Jede kleine Frau braucht hin und wieder einen Kuß 

Kabarett-Revue

Kennst du das Gefühl, wenn man verliebt ist? 

Kino-Parodie

Komm, gib mal einen aus, Emil

Küß nie die Frau von deinem Freund

Laß deine Frau im Frühling nicht mit andern gehen!

Liebesbriefe

Liebling komm doch nach Tahiti

Man vergißt seine Sorgen beim Charleston 

Männe, schenk mir was

Mein Herr, ich hab Sie schon gekannt als sie so kelin war'n

Miese Zeiten

Moritz macht sein Glück

Muß das sein?

Negerbübchen

Nein, sowas tut die Lucie nicht

Pfui, schäme dich

Sag' mir nicht "Ich liebe dich" 

Sind sie heute Abend schon vergeben

Sulamith (Foxtrot)

Treppenwitze von Wilhelm Bendow und Paul Morgan

In Venezuela

Warum hat bloß das Zebra so viel Streifen? 

Was hast du mit der Adelheid bloß vorgehabt

Was nützen mir die schönsten Nelken?

Was soll ich bloß machen

Was will der Mann da, auf der Veranda

Weißt Du noch, wie ich Deinen roten Mund geküßt? 

Wenn das Wörtchen „Wenn“ nicht wär

Wenn du einmal dein Herz verschenkst

Wenn du mal in Hawai bist Tango (artist's roll Willy Rosen)

Wenn du mich liebst, ist immer Frühling 

Wenn ich den Text nicht weiter kann

Wenn ich keinen dalles hätt 

Wenn ich Richard Tauber wär 

Wenn ein süßes Mädel träumt

Wenn meine Frau das erfährt

Yokohama

Zurück zur Natur

Downloads

Files containing detailed information about Willy Rosen

Rosen 635 Compositions (pdf)

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Recordings Made by Willy Rosen (pdf)

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Rosen Song with Youtube Links (pdf)

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Youtube!

YouTube is a wonderful source for Schlager Music of the 1920s and 1930s as well as that of Willy Rosen!

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Der Text und die Musik ist von mir!

Biography of Willy Rosen, composer with notes and links to Songs. Links to Weimar Kabarett and Schlager Writers amd Performers. Music and the Holocaust. Non profit web site aimed at preserving the memory of Willy Rosen.

Willy Rosen Willy Julius Rosenbaum

Auschwitz II - Terrain of the Former Birkenau Camp, 3-5 Plac KS.J.Skarbka, Oświęcim, Małopolskie 32-600, Poland

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